Sushi Western

This gleeful piece of mischief is from the 'to be continued' end of Ian's film. Reviewed the footage with him yesterday and today, and thanks to (?) Joe's 'VIVID' button on his camera (what on earth could that be?) it looks great. We equally opted not to light the cabin interiors, which - under ample daylight and windows - gave lovely fall-offs across the floors and made shadow and silhouette a necessary and beautiful part of the film. I am reminded of an argument between terry Gilliam and the Monty Python guys, way back when they were filming 'Holy Grail'. Gilliam wanted to take time to get the look right, or at least, to make the look an important part of the film. The others just wanted to get the performance right. Wrong. As not only Gilliam's later work shows, and Terry Jones' work (he went on to solo direct the rest of the Pythons' films) taking care of the image actually adds depth to the comedy.
Anyway, this one looks really good. You shall see.